On Creativity


 

 

I’ve always felt that what I create isn’t really much about me. In what I do, the writing, painting, gardening, photography, and music, I feel that I am often only a conduit for what comes out of the word processor, the paint brush, the guitar, the camera lens, and the garden trowel.

I don’t “own” my creations; I just put them into a form for others to experience. And I certainly don’t want the responsibility for what people might think about my art, or how to react to it and apply it, or not, to their lives.

Elizabeth Gilbert has a wonderful way of expressing this idea:

“…my deep and lifelong conviction (is) that the results of my work don’t have much to do with me.  I can only be in charge of producing the work itself.  That a hard enough job.  I refuse to take on additional jobs, such as trying to police what anybody thinks about my work once it leaves my desk.” Big Magic: Creative Living Beyond Fear, (2015, p 123).

I’m just the curator, the presenter of an idea, a concept, perhaps a new way of looking and thinking about something.  It passes through me, and goes on to others. They can do what they will with the idea, the experience. Or not. It is out of my hands.

Looking at my art this way takes a burden off of me.  I’m really not responsible for what people do with my art, what they experience and where they go with it.  My job is to respond to the creative spirit in and around me, and create.

As Elizabeth Gilbert says, “Just keep doing your own thing.”

 

–Neal Lemery, August 23, 2018

Renewal


 

 

Before me stood only a few–

Second step up, paint can and brush,

High above the entry way, up where no one would look,

Except we few painters, every generation or two.

 

I am a chosen one, honored to stand in this place, the air still, dusty with time —

adding a new color to the layers of time.

Those who came here before me  —

Their paint splattered fingers on mine, gripping the brush,

whisper bits of history to me in the hot afternoon air.

 

Some sixty years ago, the painter before me dreamed with turquoise,

Covering up the brown of the Depression, and the

Burnt orange of origin, back in 1912.

My turn now, renewal, out of new dreams, an old building.

 

He, too, thought of this place, its stories, as he dipped his brush.

How it came to be, out of the dreams of farmers and loggers.

A place to dance on a Saturday night,

Seeing friends, and sharing a meal,

Simply being together, maybe falling in love,

Building lives.

 

Since then, only spiders and a few flies, and dust,

The still air and silence of the old hall, broken by the rumbling of log trucks,

Milk trucks, and cars on the road nearby —

Daily lives, generations lived, driving by the Grange.

 

The first one, a carpenter, and his helpers —

Farmers, loggers, maybe a store clerk  —

Built this place with calloused hands.

Then the painters, each standing where I am, brush in hand.

Their voices now, in the stillness:

My turn now, to be its steward.

 

Standing on the second step, history in the layers,

I am number five,

Each one writing the same poem,

Hoping I’d show up

With fresh paint.

 

—Neal Lemery, August 6, 2018